Sometime around 1490 Sandro Botticelli set out to make a book unlike any ever seen before. Prompted by a patron, and inspired by his own deep love of Dante, the artist planned the first fully illustrated edition of the Divine Comedy. Almost since the poem was completed around 1321, painters had decorated manuscripts of it with illuminations of selected scenes. But the very qualities that drew so many readers to the poem—its vivid accounts of the horrors of Hell and the splendors of Heaven, its sprawling narrative, its penetrating descriptions of emotion, its philosophical gravity, and its unequaled mix of realism and what Dante called alta fantasia—were all far beyond the skills of earlier painters to convey. Even the most elaborate illuminated manuscripts of the book, including those made for humanist rulers such as Alfonso V of Aragon, king of Naples, were illustrated with comparatively naif and rudimentary images. Botticelli was determined to be the first painter to do justice to the great poem.
Giorgio BertiniResearch on society, culture, art, neuroscience, cognition, critical thinking, intelligence, creativity, autopoiesis, self-organization, rhizomes, complexity, systems, networks, leadership, sustainability, thinkers, futures ++
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