“Without music, life would be a mistake,” Nietzsche proclaimed in 1889. But although a great many beloved writers have extolled the power of music with varying degrees of Nietzsche’s bombast, no one has captured its singular enchantment more beautifully than Aldous Huxley (July 26, 1894–November 22, 1963). In his mid-thirties — just before the publication of Brave New World catapulted him into literary celebrity and a quarter century before his insightful writings about art and artists and his transcendent experience with hallucinogenic drugs — Huxley came to contemplate the mysterious transcendence at the heart of this most spiritually resonant of the arts. His meditations were eventually published as the 1931 treasure Music at Night and Other Essays (public library).
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